After the ideation phase, I moved into prototyping to test how the textile could actually work as part of the structure. I experimented with soaking the fabric in epoxy to see if it could support the weight of a seated user while still holding its shape and staying attached to the frame. This stage also helped me understand if the material could keep its color and maintain a flowing form, almost like it is being moved by the wind. The textile, sourced from Mexico, became an important element in representing Tijuana within the design and reinforcing the idea of unity between the two cities.